Mp3 digital music is one of the most popular forms for music to take these days. Digital music just seems to make sense, and is a natural step forward in the music world today. Everything else is digital these days, why wouldn’t our music be?
While music is still purchased in the form of CDs, it is very often converted into mp3 digital music for use on a computer or mp3 player. Indeed, sometimes it seems like CD players are all but obsolete now, and I almost never use mine anymore. However, it is nice to have music backed up on CDs, and I try to keep my CD collection current even if I’m not listening to them directly very much. I have a sort of inherent distrust of computers and all things purely digital, and I’m just waiting for my digital music players to explode one day.
Mp3 players have a lot of nice advantages to them over CDs. First of all, they are of course much smaller. Most mp3 players can easily fit into your pocket, unlike bulky CD players. Even the smallest portable CD player is enormous compared to the average mp3 player. Also, mp3 digital music can be stored on a hard drive of an mp3 player or computer, and so no CDs are needed. You can load up all the mp3 digital music you want on your computer, and never have to worry about losing or scratching any of it.
One of the most popular portable digital music players today is Apple’s iPod, and since it’s made by Apple it just has to be different. Therefore it does not use the mp3 digital music files other players use, and instead uses its own spiffy Apple format exclusive to iPods. As an owner of both an mp3 player and an iPod, this fact continuously frustrates me, as it is nothing short of a pain in the ass to transfer music from one player to the other.
Mp3 digital music is also of a fairly small file size, which is handy. My laptop has a 120 GB hard drive on it, and I can fit my entire music collection on it in the mp3 digital music format without making a dent in the overall space available. The mp3 digital music format poses some serious threats to the music industry, as it is so easy to share and pass around.
Few things in my life do I use more often and enjoy than my mp3 music player. Well, maybe it’s not all that great, but I do really love the idea of mp3 music players. I’m so tired of CDs I could just scream. Sure, they’re way better than the different forms of music storage mediums that came before, but that’s not saying a whole lot. There’s nothing more frustrating than putting on your favorite CD only to hear it skip like crazy during the best songs.
Even taking extremely good care of my CDs, they still somehow get scratched all the time. Furthermore, just trying to keep all my CDs organized is a major hassle. I think I’ve spent many hours putting CDs away in different folds and organizing the different CD cases, and while this used to be kind of fun back when I was in high school and didn’t own many albums, now that I’ve got a large collection it is a total drag. For these reasons alone, I’ve been a big fan of mp3 music players since they first started hitting markets several years ago.
The first mp3 music players were ridiculously expensive, but I just had to have one. Maybe I’m just a technology junkie, or maybe I had just finally had enough of CDs. I do remember the first mp3 music players came out shortly after I’d had my main CD holding folder filled with 90% of the music I’d collected over the years stolen. I’m sure that also had something to do with my decision to make the plunge and get an mp3 music player. I’d already spent a small fortune rebuilding my CD collection, so I guess I figured why not spend another small fortune, get an mp3 music player, and never have to worry about stolen or scratched CDs again?
While I haven’t been worrying much about stolen or scratched CDs since then, I have been worrying about crappy mp3 music players a lot. The first one I bought was such a piece of garbage compared to the newer ones, its not even funny. Fortunately, the mp3 music player I have now is pretty sweet. It’s made by Panasonic, works with my car and has all sorts of neat little features.
Of course, now that the mp3 music players have gotten good, Apple just had to come out with something better. Their iPods are in fact pretty nice, but they of course have their own spiffy music format that doesn’t work with other mp3 music players. Isn’t that just so typically Apple?
Within the musical community, there is a debate about the value of music theory that will probably never end. Is it important to study music theory scales, or is it much better to just dive into the music and experience it viscerally. The proponents of learning the theory regarded it as an essential part of knowing how to play music. You can learn by trial and error, they say, but you would do much better to benefit from the knowledge of other people. Not learning music theory when you play music is like refusing to learn arithmetic when you are studying math.
The other side, however, has just a strong of an argument. They claim that music theory worksheets are stifling. The point of music, they argue, is creativity. You should dive into it and experience it viscerally. Learning the theory of music too early on can stifle the imagination. Although it is alright to learn music theory chords later on, it is much less important than having some experience actually playing music.
I used to be on the latter site, but I have recently switched opinions. You see, I learned music without music theory. I didn’t even know music colors theory, much less the more formal and rigorous stuff. To me, you see, playing music was almost a physical experience. I could feel the sounds and textures around me. I didn’t really need someone telling me what the structures meant. I could tell what they meant with my entire soul.
As I have matured as a musician, however, I have seen the use and the need for music theory. I have even begun to use music theory worksheets, and I hope to understand it pretty thoroughly within the next couple years. You see, the most important thing about theory is that it gives you a good vocabulary to talk about music.
I believe that you can learn to play anything without music theory. What you can not do, however, is to talk to other people about it. If you don’t know the names of the chords, the different scales and progressions, and the rhythmic patterns that define various forms of music, how can you tell other musicians what you want? Learning about music is almost as important as learning language if you really want to collaborate with other people. Without it, it is very difficult to express yourself and ask people for what you want. Why make life difficult?
When you are thinking about how to use your interest and talent in music for a professional purpose, you will find that there are many different options open to you. One of the most attractive jobs that you might be interested in is that of film score composer, but how is this job that you are going to get? As you might suspect, this is a position that pays extremely well and is amazing resume builder if you can get it; there are many things that make this job extremely attractive, but what you do you need to know to see if it is something that you are capable of doing?
In the first place, you need to know the genre. Composing for film is much different than composing for any other genre of music, though it has some correspondence to orchestral composition. When you are looking to break into the industry, you will find that you need to listen to what other people are doing and learn what you can. John Williams, Danny Elfman, Hans Zimmer, Thomas Newman and Danny Elfman have routinely pulled down many of the major scores over the years, and getting accustomed to their work is something that any aspiring film score composer should do.
You should also be aware of the fact that you are going to be working from a storyboard version of the film or from a first cut of the film. With that in mind, you will need to figure out what moments are going to call for musical highlights and what sort of emotions the score needs to help the movie evoke. Although the score is something that is a part of the background, it is a very important tool when it comes to making sure that the people who are watching the film get the right idea.
When you are writing music for a film, always remember that you should write more music than is called for. Assume that the scenes will run the longest that they can run and never shortchange a scene when it comes the music. To get some experience with this, you will find that working with aspiring film students can help. Offer to do scores for them, or try rewriting the scores for movies that you are familiar with.
Remember that a rock solid background in music composition at the university level is extremely important as well. Listen and learn and remember that this is a position that takes a great deal of work!
